Logos

Pencil on 'oak effect' tabletop
50 x 50 x 5 cm
November 2012


Formulation

Pencil on paper
2 à 21 x 29,7 cm
November 2012


This title is a trap

Ink in books
2 à 20 x 30 cm
November 2012



Un-untitled

Erased pencil on computer paper
44 x 120 cm
October 2012




New Firm installation

Installation for group show 'New Firm' in Candid Arts Trust, London.
Shul I and Lake.
July 2012


Shul II

Spray mount, dirt from gallery visitors' shoes, words: "and all that is lost is all that I can own"
90 x 35 cm
July 2012



Shul I

Sand, sandbag, words: "every moment I lose the world anew"
250 x 50 x 10 cm
July 2012



Degree Show 2012

June 2012
Mentioned in articles in New Blood ArtScotland on Sunday and The Scotsman and selected for the Royal Scottish Academy New Contemporaries 2013 exhibition.
Photography by Clark James



Separator
Polyester resin







 
Extension of a room
Mackintosh windows, studio wall debris,  
roadwork clay, artist's hair, mirrors

Rebel
Oaktree, plastic pot

In an absence
Jesmonite, fiberglass

Lake
Ciment fondu, concrete, dark stained oak

Extension of a room

Mackintosh windows, Mackintosh studio debris, roadwork clay, hair, mirrors
32 x 39 x 5 cm
May 2012





Lake

Ciment fondu, concrete, dark stained American oak
195 x 76 x 5,5 cm
May 2012


In an absence

Jesmonite, fiberglass
73 x 50 x 38 cm
May 2012





In an absence (making of)

May 2012

MDF-, Foamex- ,and microstrip-model



First layer of silicone rubber mould
Last layer of silicone rubber mould

Separator

Polyester resin
35 x 30 x 25 cm
May 2012



Untitled

IKEA frame, architectural plan, studio debris
42 x 53 x 3,5 cm
April 2012


Bisection

Compost
ca 35 x 35 x 20 cm
April 2012


Crit installation

April 2012


Separator (test-cast)

Plaster
35 x 30 x 23 cm
April 2012


Untitled

Chiseled concrete, compost, artist's blood
40 x 40 x 7,5 cm
January 2012




Tokens II

Performance.
Plaster acorns and plaster coins from a clay-tray are being crushed one by one with a hammer on a small black wooden board. The broken remnants are put into another clay-tray, and a mark is made for each acorn or coin thus handled in a column for each kind on a piece of paper. Visitors are invited to partake in the slow demolition according to these rules, but are allowed to break the tokens as much or as little as they want, as long as they are transformed from units into two or more pieces.
Duration ca 5 hours on and off.
11th March 2012

















Tokens

Plaster acorns and plaster coins, clay, wooden plinth, slate.
ca 40 x 50 x 100 cm
March 2012